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Sketch Pad Toned Gray 9x12” 50 sheets - Pack of 2

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  • Premium Sketch Sheets - 50 sheets of gray-toned 81 lb / 120 gsm paper. Fine toothed for dry media.
  • Spiral-Bound - Bound with double loop wire binding with a micro-perforated edge for easy removal of 9x12, true to size, sheets.
  • Gray Tone Paper - Used for increased realism, hiding mistakes, and encouraging a fuller range of values.
  • Ideal for Dry Media - Use graphite pencils, colored pencils, charcoal, oil pastels, gel pens, ink, chalk, and much more!

Become emboldened with these striking gray tone pads. Watch your color pencils, pastels, or whatever dry media you're using pop on this softly toned paper. It is perfect for sketching in the studio or on the go.

Each 9x12” acid-free pad contains 50 gray sheets for a variety of dry media. Their spiral-binding provides more functionality and flexibility for artists who gravitate toward taking their art with them on the move.

These pads have a micro-perforated edge so the pages can be removed with ease while other works are left unhindered within the pad. Frame individual sheets or discard unwanted projects without loosening other pages.

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Steven Beard


I wasn't sure whether or not I would use these gray pads, oh how wrong I was I much prefer them to white, it allows me to use white pencils and charcoal, good quality, you can erase easily. I use them as a pre drawing to get an idea of what I want to sketch on canvas. Good quality will certainly buy again.

Nancy Ebert

This paper works well for portraits.

I had never used toned paper before but an ad showed up on my Facebook page and I decided to give it a try. I watched some videos about using the toned paper before I started. I wanted to do some portraits using outlines I had made on the computer on 8.5" x 11" paper. Since I had a 9x12 pad, I cut the pieces down to the size I wanted. I printed the outlines in light grey on the paper providing me with some guidelines that barely showed. (Comment: using an outline is an aid but does not guarantee the portrait will look like the original photo – a lot of interpretation is required.) In colored pencil, I lightly outlined the portraits and began shading the shadows in lavender, grey, and muted turquoise. I added flesh tones and then highlights. I was very pleased with the results. My relatives have asked me to do other family portraits after seeing the initial ones. It helped to make a swatch sheet of my colored pencils on the paper to see what they would like on the gray. I like this paper.

Henry Mailhot

Gray tone paper

Very good paper, I begin with my sketch in white colored pencil, then begin adding colors, possible pencil or water color. For intense white use a white permanent marker. It will look beautiful.